Tim k 14 14 gold badges silver badges bronze badges. Zaenille Zaenille 1, 2 2 gold badges 11 11 silver badges 19 19 bronze badges. If you listen to basically any music in headphones and switch between mono and stereo, the difference should be clear.
There are 2 possibilities why you aren't spotting the difference immediately. There is a very distant third, that you are deaf in one ear, even if only at higher frequencies - but you'd presumably already know if that was the case. Add a comment. Active Oldest Votes. Here is an example using a two speaker setup. Mono Stereo More technically, true stereo means sound recording and sound reproduction that uses stereographic projection to encode the relative positions of objects and events recorded.
Improve this answer. Tim Tim k 14 14 gold badges silver badges bronze badges. Thanks for the input. I am trying to convey a very complex concept in a simplistic way. Two directions because of two ears.
For one to pose the OP's question, one would appear not to be much enlightened. The two directions idea was to set the scene. In , at the World Fair, Chicago, a dummy with mics for ears was used to convey the binaural, now stereo idea to the general public. Things have moved on in time, and I think that delay was used in earlier times, probably not currently.
Did anybody mention Haas effect yet? ABragg ABragg 1, 5 5 silver badges 4 4 bronze badges. Featured on Meta. Now live: A fully responsive profile. Version labels for answers. B ass frequencies have tons of low energy, meaning they move a lot of air and take up more space in a mix.
If we keep these frequencies in mono, we have more control over the space in our mix. Plus, many subwoofers are already in mono. Keeping your bass in mono gives you better control over playing back on various audio systems. The sound would be far more impressive if we allowed the piano to live across the stereo field from left to right rather than keeping it contained to the center.
All of the instruments and vocals feel stacked atop one another. The same thing goes for choral arrangements, drum set recordings, or solo acoustic guitar recordings.
In short, it is good to consider that mono audio might not be the best choice for very sparse mixes. There are plenty of reasons to use mono when mixing.
Some of the top engineers mix almost completely in mono. When listening in mono, you can tell when two elements start to fight for space in a mix. Elements with frequencies masking one another are much easier to hear, allowing you to make better EQ decisions within your mix.
When listening in mono, it is much easier to achieve a better balance between instruments. Essentially, you narrow your focus to position the volume of each instrument in a mix without having the distraction of the stereo field to worry about. Mixing in mono allows you to mix at lower levels.
When mixing at lower levels, you reduce ear fatigue. In return, you can work on a mix for much longer when your ears are in good condition. One of the best ways to spot phase cancellation in a mix is by summing the mix to mono.
It can be quite difficult to hear phase issues when listening in stereo. However, as soon as you check your mix in mono, you might hear a sound get thinner or disappear completely. By checking your mix in mono, you can avoid phase issues that might hurt you in the future.
To create a mono mix, you can either use a stereo to the mono plugin , use the mono button on your interface, or get a separate mono speaker to listen through, such as the Auratone. When setting up stereo sound, you want to make sure that your speakers are equidistant from one another so that your listening position is directly in the center of them. One of the best ways to set up stereo sound is by using the equilateral triangle technique. The idea here is that the length between your speakers, you, your left speaker, and your right speaker is all the same.
But it falls short of recording a session in true stereo. According to Larry, there were also pioneers of stereo. Individuals like Bruce Swedien were recording jazz releases in stereo and mono, even when the studios only wanted the mono versions. Bruce eventually worked on some huge releases, including Thriller. Again, history can guide your decision. Knowing some of these stereo pioneers will help you find great early stereo releases.
I like using Sgt. Just check out the 21 forum pages on the Steve Hoffman mono vs. Undeniably, there is a lot more nuance and complexity baked into the differences between mono and stereo records. When you get down to the nuts and bolts on the production side, the recording and mixing processes differ depending on the track, engineer, band input, and a collection of other factors. In these modern times, we often take conveniences for granted.
Collectors in the s and s had to know whether their setups could play mono, stereo, or both. Bands often signed off on either a mono or stereo version of the record with engineers before it was released. This is part of the history you can typically dig into about a record. After this though, the band could walk out of the studio and engineers would mix a release for the other output. Recalling our history lesson above, creating both mixes was often out of consumer necessity — with the equipment at the time, many collectors could only purchase one version or the other.
It's important to know the relative position of the objects and events. Stands for Monaural or monophonic sound Stereophonic sound Usage Public address system, radio talk shows, hearing aid, telephone and mobile communication, some AM radio stations Movies, Television, Music players, FM radio stations Channels 1 2.
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